London’s specialist DCP studio. We’ve made thousands of digital cinema packages for independent filmmakers, festivals, broadcasters and distributors. We check everything. We explain everything. We get it right.
Automated DCP tools can make a file. What they can’t do is watch it, measure it, listen to it, and know what they’re looking at. Every DCP we make is reviewed by a human who understands cinema.
We check incoming video levels, frame rate, scan type, audio channel assignment, subtitle timecode and credit roll motion on every single job. Automated systems don’t. We do.
We understand the DCI specification, ISDCF conventions, SMPTE standards, Dolby audio calibration and the real-world variance between them. That knowledge protects your film.
We’ll tell you if something needs attention before we encode it. We’ll tell you the truth about what your film needs — not what’s easiest for us to sell.
We’ve worked with Raindance, SXSW submissions, London festivals and hundreds of independent productions navigating the festival circuit for the first time.
Our DCPs are named to the ISDCF convention, carry correct SMPTE metadata, are checksum-verified, and are formatted for the real world — not just compliant on paper.
Based in London. We can bike-courier a DCP to most major London screening venues and have it ingested before an online delivery service has replied to an email.
From a single short film to a full feature with access materials, multiple versions and festival delivery — we handle every aspect of the DCP process.
Full DCI specification DCPs for features of any length. 2K or 4K, Flat or Scope, 5.1 or stereo, with optional access materials and supplemental versions.
Fast, accurate DCPs for short films heading to festivals worldwide. Festival partnerships available. 1–3 working day turnaround.
Cinema advertising requires specific technical standards. We ensure correct frame rate, correct LeqM audio levels, and compatibility with cinema advertising playout systems.
Audio description, hard of hearing closed captions, hearing impaired audio, open caption subtitles. Correctly flagged access material tracks in your DCP.
The quote was great but the way you talked about the process and overcoming pitfalls installed lots of confidence. The communication, expertise and quality were all excellent. Really first class.
Post Factory offered a great rate and didn’t sacrifice on quality. They worked to a tight schedule and gave great advice. The 5.1 upmix was almost as if it had been done from scratch.
I had no idea what a DCP was and thought it would cost me the rest of my budget. Raindance suggested Post Factory. Fast, friendly and informative — they left me assured of the quality.
1–3 workday turnaround. Human Checks. Correct first time.